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It has such a distinctly unique queer scene that very rarely gets to be seen. New Orleans is my favorite city in the U.S. But we’ve seen L.A., New York, San Francisco queer communities on TV. I have a long time relationship with the city. What made you pick New Orleans as the setting? There’s definitely structural references to the show that exists in ours, but ultimately it’s an all new story, a new cast, new characters, new city. If you squint, you can kind of see the character dynamics, slight archetypes that exist - maybe not in one specific character, but are fragmented throughout a couple of different ones. There’s definitely a lot of references to the original British version. How did you think of using the British “Queer as Folk” as a launchpad for your own work?
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But in spite of the heavy subject matter, the show maintains its soapy fun and a sense of deeply, almost defiantly queer joy.Īhead of the “Queer as Folk” premiere, Dunn talked to Variety about revising the series for 2022, making the show feel both joyful and political and where it can go from its first outing. The shooting occurs toward the end of the pilot, and the following episodes focus on Brodie, his best friend Ruthie (Jesse James Keitel), his brother Julian (Ryan O’Connell), cocky high-schooler Mingus (Fin Argus), Ruthie’s partner Shar (CG) and Brodie’s ex Noah (Johnny Sibilly) as they separately reckon with the aftershocks of the tragedy, and the effects it has on their lives.
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In updating “Queer as Folk” for the modern day, the show builds its first season around a shooting highly reminiscent of the 2016 Pulse nightclub tragedy. The name of the gay club, Babylon, is the same, but the new show mostly charts its own course, one both frivolous and political. That punk sensibility can be seen in the new “Queer as Folk,” which relocates the action of the series to New Orleans. “It blew me away - it was just so punk and resilient, and filled with this rock confidence I wish I had,” Dunn says. Davies, which he first encountered when he rented it in high school from a video store. But the show his version is most patterned is the original 1999 British version created by Russell T. John’s, Newfoundland, he would watch the show in his basement with the volume turned down, an experience he described as “terrifying,” but also one that helped him feel less alone. Dunn, a Canadian filmmaker best known for his 2015 coming out horror film “Closet Monster,” was a child when the Showtime “Queer As Folk” first premiered.